Showing posts with label Criterion. Show all posts
Showing posts with label Criterion. Show all posts

Friday, July 29, 2011

The Man Who Fell to Earth: The Criterion Collection

Horror Movies The Man Who Fell to Earth: The Criterion Collection







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The Man Who Fell to Earth: The Criterion Collection Overview


The Man Who Fell to Earth is a daring exploration of science fiction as an art form. The story of an alien on an elaborate rescue mission provides the launching pad for Nicolas Roeg’s visual tour de force, a formally adventurous examination of alienation in contemporary life. Rock legend David Bowie completely embodies the title role, while Candy Clark, Buck Henry, and Rip Torn turn in pitch-perfect supporting performances. The film’s hallucinatory vision was obscured in the American theatrical release, which deleted nearly twenty minutes of crucial scenes and details. The Criterion Collection is proud to present Roeg’s full, uncut version, in this exclusive new director-approved high-definition widescreen transfer.



The Man Who Fell to Earth: The Criterion Collection Specifications


While other films directed by Nicolas Roeg have attained similar cult status (including Walkabout and Don't Look Now), none has been as hotly debated as this languid but oddly fascinating adaptation of the science fiction novel by Walter Tevis. David Bowie plays the alien of the title, who arrives on Earth with hopes of finding a way to save his own planet from turning into an arid wasteland. He funds this effort by capitalizing on several highly lucrative inventions, and in so doing becomes the powerful leader of an international corporate conglomerate. But his success has negative consequences as well--his contact with Earth has a disintegrating effect that sends him into a tailspin of disorientation and metaphysical despair. The sexual attention of a cheerful young woman (Candy Clark) doesn't do much to change his outlook, and his introduction to liquor proves even more devastating, until, finally, it looks as though his visit to Earth may be a permanent one. The Man Who Fell to Earth is definitely not for every taste--it's a highly contemplative, primarily visual experience that Roeg directs as an abstract treatise on (among other things) the alienating effects of an over-commercialized society. Stimulating and hypnotic or frightfully dull, depending on your receptiveness to its loosely knit ideas, it's at least in part about not belonging, about being disconnected from the world--about being a stranger in a strange land when there's really no place like home. --Jeff Shannon.






















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Monday, December 20, 2010

Revanche (The Criterion Collection) [Blu-ray]

Horror Movies Revanche (The Criterion Collection) [Blu-ray]







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Revanche (The Criterion Collection) [Blu-ray] Overview


A gripping thriller and a tragic drama of nearly Greek proportions, Revanche is the stunning, Oscar-nominated international breakthrough of Austrian filmmaker Götz Spielmann. In a ragged section of Vienna, hardened ex-con Alex (the mesmerizing Johannes Krisch) works as an assistant in a brothel, where he falls for Ukrainian hooker Tamara. Their desperate plans for escape unexpectedly intersect with the lives of a rural cop and his seemingly content wife. With meticulous, elegant direction, Spielmann creates a tense, existential, and surprising portrait of vengeance and redemption, and a journey into the darkest forest of human nature, in which violence and beauty exist side by side.

Stills from Revanche






Revanche (The Criterion Collection) [Blu-ray] Specifications


Director Götz Spielmann's Revanche, Austria's 2009 Academy Awards selection for foreign film, is quite a unique movie for its sensitive, empathetic portrayal of hard-boiled activity. Its gorgeously austere cinematography not only serves this sad story well but also makes the viewing experience more touching than one would expect from such a bleak narrative. Revanche, which means in German both "revenge" and "second chance," focuses on swarthy ex-con Alex (Johannes Krisch) and his girlfriend, Ukrainian prostitute Tamara (Irina Potapenko), a tender couple who are as naive as they are streetwise. Scenes set in the Viennese brothel in which they are both employed by a sleazy boss, Konecny (Hanno Pöschl), depict a couple stranded in financial ruin and dreaming of an exit plan. Meanwhile, a second story unfolds featuring Alex's aging grandfather, Hausner (Johannes Thanheiser), and his neighbors in their small village--Robert (Andreas Lust), the local policeman, and his wife, Susanne (Ursula Strauss). When Alex and Tamara's plan goes awry, the two couples' lives intersect in drastic ways. Not until their joint story becomes more grossly intertwined do they discover how much they all have in common. Revanche is a story about a struggle to repress vengeance and about how to redeem oneself after accidents occur. The acting in this film is astoundingly real, so the guilt that each character feels is crystal clear to the viewer. Crime, here, is so realistically complex that by the end it hardly seems like a crime has been committed at all. Moreover, as each character digs deeper into their sources of loss, one understands the humanity of such dire circumstance and learns about the overlap between urban chaos and the solace of nature via Austrian farm life. The second disc on this Criterion release contains excellent interviews with this insightful, intuitive director as well as his beautifully scenic student short film, "Foreign Land," about a boy in the Tyrolean Alps who learns how to manage his family farm. --Trinie Dalton






















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Saturday, September 4, 2010

Repulsion- (The Criterion Collection)

Horror Movies Repulsion- (The Criterion Collection)







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Repulsion- (The Criterion Collection) Overview


Roman Polanski followed up his international breakthrough, Knife in the Water, with this controversial, chilling tale of psychosis, starring Catherine Deneuve as Carole, a fragile, frigid young beauty cracking up over the course of a terrifying weekend. Left alone by her vacationing sister in their London flat, Carole is haunted by specters real and imagined, and her insanity grows to a violent pitch. Thanks to its unforgettable attention to disturbing detail and Polanski’s unparalleled adeptness at turning claustrophobic space into an emotional minefield, Repulsion remains one of cinema’s most shocking psychological thrillers.

SPECIAL EDITION FEATURES:

• New, restored high-definition digital transfer

• Audio commentary featuring director Roman Polanski and actress Catherine Deneuve

A British Horror Film (2003), a documentary on the making of Repulsion, featuring interviews with Polanski, producer Gene Gutowski, and cinematographer Gil Taylor

• A 1964 television documentary filmed on the set of Repulsion, featuring rare footage of Polanski and Deneuve at work

• Theatrical trailer

• PLUS: A booklet featuring an essay by film scholar and curator Bill Horrigan



Stills from Repulsion (Click for larger image)








Repulsion- (The Criterion Collection) Specifications


Roman Polanski was still a newcomer to the world of cinema when he unleashed this unforgettable exercise in skin-crawling terror. Repulsion was the Polish director's first film in English, but that hardly mattered: much of the movie is as wordless (and as weird) as the silent Nosferatu. The young Catherine Deneuve plays a Belgian girl stranded in '60s London, a shy beauty with no social skills. When her sister leaves their shared flat, Deneuve goes gradually, quietly, completely mad. Her world becomes Polanski's paintbox, as the devilish director distorts reality via a series of surrealistic touches (grasping hands that protrude from elastic walls) and out-and-out murderous horror. Very few films cast the kind of eerie spell that this 1965 classic achieves, and it clearly points the way toward Polanski's Rosemary's Baby. As with most of the director's work, what is unsettling is not the overt violence, but the terrifying sense of emptiness and isolation, and the boiling unease inside one's own mind. --Robert Horton



Horror Movies Customer Reviews


Horror Movies Customer ReviewsYes, the external beauty may in fact hide the ugliness within. Inevitably there is a conflict between the two at some point and when this happens, the internal twisted soul who will win, with disastrous consequences for anyone who gets too close - the theme of this film chilling and repugnant that accounts for its originality. Polanski, being a man of wit, using a variety of effective techniques to get the whole story, including casting Deneuve as Carole disturbed the bait-and-switchrole of a good beautician crazy - paradox and perversity are Polanski's stock and trade. It continues not only ask "how can it be?" but "how could he have proved that?" and maybe even "in which Dr. Phil when you need him?" The central issue is resolved in the final scene of the film by a still photo of Carole as a young girl with a scary, crazy look in his eyes (to indicate that it may have been abused by a family member.) In the last shot, the camera closes inover one eye - presumably the window to the soul - at the same time, closing the circle, final assembly because that's how the movie starts. (Note that the ominous theme of the film Polanski has not deterred in the least by chasing beautiful women throughout his life.) The DVD I watched comes with a commentary by Polanski and Deneuve.



Horror Movies Customer ReviewsI love the movie but the dvd is horrible - Chris -
I recently received this dvd as a birthday gift. Polanski's Repulsion is a film should have, but the quality of this DVD as soon as it justice. Be aware that some of the comments on this page is for the test version and not this film. I was brought Miss and now I'm stuck with what is almost unwatchable. I'm quite familiar with the movies and have a lot, including some rare foreign films, and I have never met this poor quality on a DVD purchased. It 's a shame because this filmis amazing and a must own for those who appreciate good film. However, almost half the price of the dvd criterion might still be worth buying.




Horror Movies Customer ReviewsIt Feels Sooooo Good When It's Over. - Yasha Banana -
Roman Polanski, you excuse the expression, * * violated the first law to direct the film and that is when you have a beautiful woman in a film as a director, you must bring out its full beauty. Put another way: a film director must know how a beautiful woman.

And, surprisingly enough, Roman Polanski has done in "Repulsion." He did not do that with a 21-year-old Catherine Denueve - Catherine Denueve generally regarded then and many years later as "the mostbeautiful woman in the world. "

If you do not believe it, look for the extras that this DVD is a documentary on the making of "Repulsion." In this documentary we see Catherine trying Denueve with Polanski and also speaking to the camera, ie, speaking to the documentary. And in it we see Catherine Denueve in all its glory - * * resplendent beauty.

But Polanski was blowing. He did not Denueve film properly. Now, one can say who did it on purpose, forTo the story. But I do not think so, I doubt very much. The entire movie was basically a knock-off, but had a limited budget and it showed.

In fact, Polanski had continued to make several excellent films, it is unlikely that this film was never re-issued by policy or by other companies.

The film is choppy, uneven, badly photographed (and not just Denueve), and after a while 'just plain annoying. Especially music. Timeand yet the music telegraphs the "horror" of a scene. So boring as the film, do not try to fall asleep while watching, because every 10 minutes * * music screeches to you, for one simple reason - to scare you with the volume of its SCREEEEEEECH!

In other words, a scary movie should not be scary because the music puncture eardrums.

If music in a film that tells you how you should react emotionally, is probably not a good movie.And '* * that the film should be telling you how to react to it, not loud, annoying, wired "music.

Everybody's talent is wasted in this film. Polanski's considerable talents are wasted Denueve talents are wasted. But then again, what can you expect, the film was made cheaply.

I have the feeling that Polanski himself was surprised that it was reprinted, so that when asked to do a director's commentary for the DVD, what to do,admit this was not a movie so great? In fact, the first part of his commentary he admits that one of the opening scenes was not shot very well.

A well-made film must be thin. And 'underlying subtlety of a good movie that makes you want to see it again and again, getting something new every time I see him.

But this is not.

The purchase of this movie is like paying a prostitute to hit you over your head with high heel shoes. Why?Because it feels sooooooooooo good when it's over.






Horror Movies Customer ReviewsGreat transfer of a great film!!! - Josh - Los Angeles, CA
This is a superb psychological thriller in the vein of Hitchcock, but perhaps' even more convoluted. The movie opens with a general sense of foreboding and paranoia and tension mounted throughout the film. The atmosphere is expertly managed by creative camera work and set design and performance obsessed with Catherine Deneuve. The transfer looks great on Bluray and stresses the cinematography beautiful, starkly illuminated and reflects the deterioration of the mental character to the whole film.Much recommended for lovers of classic thrillers and a good introduction to "art house" for the uninitiated.















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