Showing posts with label Widescreen. Show all posts
Showing posts with label Widescreen. Show all posts

Wednesday, October 19, 2011

The Cave (Widescreen Edition)

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The Cave (Widescreen Edition) Overview


DEEP IN A ROMANIAN FOREST, SCIENTISTS STUMBLE UPON THE RUINS OF A 13TH CENTURY ABBEY BUILT OVER THE ENTRANCE TO AN UNDERGROUNDCAVE SYSTEM. THEY HIRE A GROUP OF AMERICAN CAVE EXPLORERS TOINVESTIGATE THE CAVES. BUT THE GROUP'S ESCAPE ROUTE IS CUT OFF &THEY ARE HUNTED BY THE MONSTROUS CREATURES THAT LIVE DOWN BELOW.



The Cave (Widescreen Edition) Specifications


While it might give spelunkers a few helpful hints about using their equipment, The Cave is strictly routine as an Alien-styled monster show. The film's major achievement is its impressive setting -- not a real cave under the Carpathian mountains (where the ill-fated characters are exploring "the Amazon of underground rivers") but a lavishly convincing cave set built on a Romanian soundstage. This gives first-time director Brad Hunt (a second- and third-unit director on the Matrix trilogy) the movie's only claim to originality, as the cavernous interiors become a death trap for most of the nine-person team (led by Cole Hauser, and including Morris Chestnut, Daniel Dae Kim from TV's Lost, and Coyote Ugly's Piper Perabo) that's exploring the maze-like cave for reasons never fully explained (maybe they just wanted to test out their fancy gear). They're not alone down there, and creature-feature specialist Patrick Tatopoulos borrows from the H.R. Giger design-book with some gnarly critters that, in turn, borrow elements from The Thing to foment suspicion and anxiety among the dwindling crew of survivors. It's all familiar to genre buffs, but there's just enough in The Cave to satisfy the curiosity of its intended audience. Dumped into theaters for a marginal release in late summer 2005, it's precisely the kind of horror flick that finds a second life on DVD. --Jeff Shannon






















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Friday, October 7, 2011

I Am Legend (Widescreen Two-Disc Special Edition)

Horror Movies I Am Legend (Widescreen Two-Disc Special Edition)







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I Am Legend (Widescreen Two-Disc Special Edition) Overview


I AM LEGEND:SPECIAL EDITION - DVD Movie



I Am Legend (Widescreen Two-Disc Special Edition) Specifications


Will Smith stars in the third adaptation of Richard Matheson’s classic science-fiction novel about a lone human survivor in a post-apocalyptic world dominated by vampires. This new version somewhat alters Matheson’s central hook, i.e., the startling idea that an ordinary man, Robert Neville, spends his days roaming a desolated city and his nights in a house sealed off from longtime neighbors who have become bloodsucking fiends. In the new film, Smith’s Neville is a military scientist charged with finding a cure for a virus that turns people into crazed, hairless, flesh-eating zombies. Failing to complete his work in time--and after enduring a personal tragedy--Neville finds himself alone in Manhattan, his natural immunity to the virus keeping him alive. With an expressive German shepherd his only companion, Neville is a hunter-gatherer in sunlight, hiding from the mutants at night in his Washington Square town house and methodically conducting experiments in his ceaseless quest to conquer the disease.

The film’s first half almost suggests that I Am Legend could be one of the finest movies of 2007. Director Francis Lawrence’s extraordinary, computer-generated images of a decaying New York City reveal weeds growing through the cracks of familiar streets that are also overrun by deer and prowled by lions. It’s impossible not to be fascinated by such a realistically altered cityscape, reverting to a natural environment, through which Smith moves with a weirdly enviable freedom, offset by his wariness over whatever is lurking in the dark of bank vaults and parking garages. Lawrence and screenwriters Mark Protosevich and Akiva Goldsman wisely build suspense by withholding images of the monsters until a peak scene of horror well into the story. It must be said, however, that the computer-enhanced creatures don’t look half as interesting as they might have had the filmmakers adhered more to Matheson’s vampire-nightmare vision. I Am Legend is ultimately noteworthy for Smith’s remarkable performance as a man so lonely he talks to mannequins in the shops he frequents. The film’s latter half goes too far in portraying Smith’s Neville as a pitiable man with a messianic mission, but this lapse into bathos does nothing to take away from the visual and dramatic accomplishments of its first hour. --Tom Keogh






















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Friday, August 26, 2011

AVP - Alien Vs. Predator (Widescreen Edition)

Horror Movies AVP - Alien Vs. Predator (Widescreen Edition)







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AVP - Alien Vs. Predator (Widescreen Edition) Overview


"It may be our planet, but it’s their war!" The deadliest creatures from the scariest sci-fi movies ever made face off for the first time on film. The incredible adventure begins when the discovery of an ancient pyramid buried in Antarctica sends a team of scientists and adventurers to the frozen continent. There, they make an even more terrifying discovery: two alien races engaged in the ultimate battle. Whoever wins...we lose.



AVP - Alien Vs. Predator (Widescreen Edition) Specifications


In delivering PG-13-rated excitement, Alien vs. Predator is an acceptably average science-fiction action thriller with some noteworthy highlights, even if it squanders its opportunity to intelligently combine two popular and R-rated franchises. Rabid fans can justifiably ask "Is that all there is?" after a decade of development hell and eager anticipation, but we're compensated by reasonably logical connections to the Alien legacy and the still-kicking Predator franchise (which hinted at AVP rivalry at the end of Predator 2); some cleverly claustrophobic sets, tense atmosphere and impressive digital effects; and a climactic AVP smackdown that's not half bad. This disposable junk should've been better, but nobody who's seen Mortal Kombat or Resident Evil should be surprised by writer-director Paul W.S. Anderson's lack of imagination. As a brisk, 90-minute exercise in generic thrills, however, Anderson's work is occasionally impressive... right up to his shameless opening for yet another sequel. --Jeff Shannon






















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Thursday, August 25, 2011

Dead Silence (Rated Widescreen Edition)

Horror Movies Dead Silence (Rated Widescreen Edition)







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Dead Silence (Rated Widescreen Edition) Overview


Movie DVD



Dead Silence (Rated Widescreen Edition) Specifications


Billy in Dead Silence inevitably recalls other possessed dolls such as those in Devil Doll, but he is an entertaining dummy nonetheless. As a variation on evil-doll films like Child's Play or Puppet Master, Dead Silence stars a dummy who isn't a killer himself but a vehicle for a vengeful ghost. Previously owned by Mary Shaw, a ventiloquist who was murdered by local Ravens Hill villagers for kidnapping a boy to turn him into a human puppet, Billy houses Mary Shaw's spirit while she gets revenge on all those who killed her. Jamie Ashen (Ryan Kwanten) unravels Billy's mystery after Billy is delivered to his door to claim Jamie's wife's life, since she is pregnant with Jamie's son. Mary Shaw aims to obliterate his entire Ashen clan, since they were partially responsible for her death. Plot, from there, teeters on the ridiculous, as Mary (via Billy) rips peoples tongues out left and right. Jamie's futile attempts to stop Shaw's ghost result in his discovering a gruesome secret about his brutal, abusive father. Writer Leigh Whannell and director James Wan, of Saw, made this almost comical film about 101 dummies, all relatives of Billy's, who are slaves to their sadistic creator. With many direct references to '80s horror films, and a soundtrack theme song almost exactly like Phantasm's, Dead Silence's charm banks on its lack of computer-y special effects rather than its originality. Billy's sly violence is creepy but funny, making for a relatively lighthearted horror film that won't traumatize as much as it makes one chuckle. —Trinie Dalton






















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Thursday, July 21, 2011

Black Christmas (Unrated Widescreen Edition)

Horror Movies Black Christmas (Unrated Widescreen Edition)







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Black Christmas (Unrated Widescreen Edition) Feature


  • Condition: New
  • Format: DVD
  • Closed-captioned; Color; DVD; Subtitled; Widescreen; NTSC




Black Christmas (Unrated Widescreen Edition) Overview


(Horror) A remake of the 1974 horror classic that inspired slasher films like Halloween; A group of sorority sisters are terrorized and murdered, one-by-one, during Christmas Break.



Black Christmas (Unrated Widescreen Edition) Specifications


Needless and unnecessary are two words that have little meaning in Hollywood, especially when you're talking sequels or remakes. Case in point: Black Christmas, the revisionist version of the 1974 horror thriller largely thought to be the proto-slasher movie (this was four years before the first Halloween installment). The original, from director Bob Clark, is still considered a masterpiece of tension, understatement, innovative camera perspective, economic efficiency (a polite way of saying "ultra-low budget"), and killing off pretty young girls in grisly ways without any cumbersome exposition regarding the psychopath's motives. This, by the way, from the same Bob Clark who would soon bring us the beloved Porky's franchise as well as Black Christmas's polar opposite, the sweetly nostalgic classic A Christmas Story. Anyway, as needless and unnecessary as this remake is, it certainly delivers the goods on 21st-century slasher conventions as the sorority sisters of Alpha Kappa are picked off during Christmas break in ever more gruesome fashion. There's nothing wrong with all of this, particularly for fans of impalements, crushed skulls, ripped-out eyeballs, and some good old-fashioned Christmas cookie cannibalism. Writer-director Glen Morgan, who earned his own credibility as co-creator of the Final Destination series and the interesting 2003 remake of Willard adds a few clever visual homages to the original along with the amped-up extreme gore. Clark's device (was he the first to use it?) of creepy, mouth-breathing phone calls from killer to victim remains intact and creepy. He also resurrects Andrea Martin, one of the then-unknown actor victims who, now famous, plays the prim housemother. Another addition, which may not be so welcome to purists of the genre, is a load of exposition and backstory for the killer. Disturbing as these flashback set pieces are, they're also somewhat distracting to the foreboding tone. But you get what you pay for, and lots of people are going to pay dearly to dream of the shocking frights another Black Christmas will bring. --Ted Fry






















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Monday, July 11, 2011

The X-Files - Fight the Future (Widescreen Edition)

Horror Movies The X-Files - Fight the Future (Widescreen Edition)







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The X-Files - Fight the Future (Widescreen Edition) Overview


Thirty-seven thousand years ago, a deadly secret was buried in a cave in Texas. Now the secret has been unleashed. And it's discovery may mean the end of all humanity.

"The plague to end all plagues"

When a terrorist bomb destroys a building in Dallas, Texas, FBI Agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) are drawn into a dangerous conspiracy surpassing anything they've ever encountered. With the dubious assistance of a paranoid doctor (Academy Award -winner Martin Landau). Mulder and Scully risk their careers and their lives to hunt down a deadly virus which may be extraterrestrial in origin - and could destroy all life on earth. Their pursuit of truth pits them against the mysterious Syndicate, powerful men who will stop at nothing to keep their secrets safe, leading the agents from the cave in Texas, to the halls of the FBI, and finally to a secret installation in Antarctica which holds the greatest secret of all.



The X-Files - Fight the Future (Widescreen Edition) Specifications


The definitive American television series of the '90s comes to the big screen with an anticlimactic whimper. And how could it be otherwise? Why should material so perfectly realized in one medium necessarily translate well into another? The series is crisply and thoughtfully executed in just about every detail, but the heart of its appeal lies in the elegant handling of complicated and evolving ongoing story lines, which is not something movies are especially good at. The big-screen drive for closure cramps the creative style, though it may also help nonfans get a grip on the proceedings. We do get some invigorating thrills and chills, however, and a more satisfying sense of the scale of an all-enveloping human-alien conspiracy than ever before, but there's no more plot development here than in an average two-part season-ending. FBI black sheep Mulder and Scully have been temporarily transferred from the X-Files project to an anti-terrorist unit to investigate an Oklahoma City-style bombing. They uncover a new wrinkle in the Syndicate/Cancer Man conspiracy--basically an attempt to help one bunch of (benign?) aliens fight off another bunch who want to colonize Earth. A spectacular, ice-bound finale thrillingly staged by series-veteran director Rob Bowman offers Mulder (but not a conveniently unconscious Scully) his first clear look at a You Know What, which in some quarters qualifies as an epochal event. Martin Landau offers the agents some crucial clues, and several familiar TV faces (including the Lone Gunmen and Mitch Pileggi's indispensable Assistant Director Skinner) turn up briefly to wink knowingly at faithful fans. --David Chute






















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Saturday, June 25, 2011

Minority Report (Widescreen Edition)

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Minority Report (Widescreen Edition) Overview


MINORITY REPORT - DVD Movie



Minority Report (Widescreen Edition) Specifications


Set in the chillingly possible future of 2054, Steven Spielberg's Minority Report is arguably the most intelligently provocative sci-fi thriller since Blade Runner. Like Ridley Scott's "future noir" classic, Spielberg's gritty vision was freely adapted from a story by Philip K. Dick, with its central premise of "Precrime" law enforcement, totally reliant on three isolated human "precogs" capable (due to drug-related mutation) of envisioning murders before they're committed. As Precrime's confident captain, Tom Cruise preempts these killings like a true action hero, only to run for his life when he is himself implicated in one of the precogs' visions. Inspired by the brainstorming of expert futurists, Spielberg packs this paranoid chase with potential conspirators (Max Von Sydow, Colin Farrell), domestic tragedy, and a heartbreaking precog pawn (Samantha Morton), while Cruise's performance gains depth and substance with each passing scene. Making judicious use of astonishing special effects, Minority Report brilliantly extrapolates a future that's utterly convincing, and too close for comfort. --Jeff Shannon






















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Saturday, May 28, 2011

The Ring Two (Unrated Widescreen Edition)

Horror Movies The Ring Two (Unrated Widescreen Edition)







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The Ring Two (Unrated Widescreen Edition) Overview


RING TWO UNRATED EDITION - DVD Movie



The Ring Two (Unrated Widescreen Edition) Specifications


Most contemporary horror movies depend upon a series of sudden jolts, executed with the finesse of a cattle-prod, to keep their audiences awake. The Ring Two offers something far more interesting: A slow but relentless creepiness that might just linger in your mind when the movie is over. A few months after the events of the first Ring, journalist Rachel Keller (Naomi Watts, Mulholland Drive) and her son Aidan (David Dorfman, A Wrinkle in Time) have fled to a small town on the Oregon coast to get over their awful experience with a cursed videotape. Of course, a copy of the videotape finds its way there, and soon the troubled spirit of a girl with long, face-obscuring black hair is worming her way into Rachel and Aidan's lives by worming her way into Aidan's flesh. As a story with a coherent beginning, middle, and end, The Ring Two is full of holes; but as a series of surreal and evocative images accumulating into a dislocating sense of dread, The Ring Two holds up. In fact, at one point the movie becomes so dreamlike in its flow that it verges on avant-garde. The source of this alluring eeriness is the director, Hideo Nakata, who directed the Japanese Ringu, on which The Ring was based. Also featuring Gary Cole (Office Space) and Sissy Spacek (Carrie). --Bret Fetzer






















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Friday, May 27, 2011

Eight Legged Freaks (Widescreen Edition) (Snap Case)

Horror Movies Eight Legged Freaks (Widescreen Edition) (Snap Case)







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Eight Legged Freaks (Widescreen Edition) (Snap Case) Overview


Residents of a rural mining town discover that an unfortunate chemical spill has caused hundreds of little spiders to mutate overnight to the size of SUVs. Movie tagline: Do you hate spiders? Do you really hate spiders? Well they don't like you either.



Eight Legged Freaks (Widescreen Edition) (Snap Case) Specifications


In the grand tradition of atomic-age monster movies, Eight Legged Freaks delivers everything you'd want from a giant-spider thriller. The plot's hardly original, but familiarity is half the fun, beginning when toxic waste results in a stampede of gigantic, ravenous arachnids in the depressed mining town of Liberty, Arizona. David Arquette is Liberty's prodigal son, returning to save the town from greedy developers, and to reunite with the lovely local sheriff (Kari Wuhrer), whom he never stopped loving. Before long they're saving the town from a teeming horde of jumbo-size "jumpers," "orb-weavers," tarantulas, and other eight-legged beasties, brought to life by digital effects that are consistently fantastic. Though not quite as witty as the similarly exciting Tremors, this "arach-attack" offers a deft balance of creepy shocks, sight gags, and tongue-in-cheek satire. Cleverly expanding his New Zealand short "Larger Than Life," first-time director Ellory Elkayem gives genre fans and arachnophobes a giddy nightmare they won't soon forget. --Jeff Shannon






















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Monday, May 9, 2011

Saw IV (Unrated Widescreen Edition)

Horror Movies Saw IV (Unrated Widescreen Edition)







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Saw IV (Unrated Widescreen Edition) Overview


SAW 4 - DVD Movie



Saw IV (Unrated Widescreen Edition) Specifications


Even death itself can't bring the savage games of Jigsaw to an end, as Saw IV proves; if anything, the fiendishly clever serial killer (once again played by Tobin Bell) is equally capable of dealing out violent death while lying on a morgue slab as he was in life. Saw IV also offers a class reunion of characters from the previous three films, each once again up to their necks in Jigsaw's schemes. Chief among them is Sgt. Rigg (Lyriq Bent) from Saw II, who must place himself in Jigsaw's shoes in order to rescue Detective Matthews (Donnie Walhberg), who was abducted by the killer at the end of Saw II, and Forensic Hoffman (Costas Mandylor from Saw III), from another elaborate murder device. Meanwhile, FBI agents led by Scott Patterson (Gilmore Girls, Aliens in America) attempt to track Rigg as he carries out Jigsaw's horrific notion of justice from beyond the grave. Casual horror fans may find the endless puzzles and relentless nihilism of the Saw series wearing thin with this fourth entry, but the franchise's key selling points--the Sadean excesses of Jigsaw's macabre creations--remain as bloody and unsettling as ever. --Paul Gaita






















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Saturday, February 19, 2011

Jurassic Park III (Widescreen Collector's Edition)

Horror Movies Jurassic Park III (Widescreen Collector's Edition)







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Jurassic Park III (Widescreen Collector's Edition) Overview


ADVENTURE RUNS WILD WHEN RENOWNED PALEONTOLOGIST DR. ALAN GRANT AGREES TO ACCOMPANY A WEALTHY ADVENTURER AND HIS WIFE ON AN AERIAL TOUR OF ISLA SORNA, INGEN'S FORMER BREEDING GROUND FOR PREHISTORIC CREATURES. BUT WHEN THEY'RE TERRIFYINGLY STRANDED, DR. GRANT DISCOVERS THAT HIS HOSTS ARE NOT WHAT THEY SEEM.



Jurassic Park III (Widescreen Collector's Edition) Specifications


Surpassing expectations to qualify as an above-average sequel, Jurassic Park III is nothing more or less than a satisfying popcorn adventure. A little cheesier than the first two Jurassic blockbusters, it's a big B movie with big B-list stars (including Laura Dern, briefly reprising her Jurassic Park role), and eight years of advancing computer-generated-image technology give it a sharp edge over its predecessors. While adopting the jungle spirit of King Kong, the movie refines Michael Crichton's original premise, and its dinosaurs are even more realistic, their behavior more detailed, and their variety--including flying pteranodons and a new villain, the spinosaurus--more dazzling and threatening than ever. These advancements justify the sequel, and its contrived plot is just clever enough to span 90 minutes without wearing out its welcome.

Posing as wealthy tourists, an adventurous couple (William H. Macy, Téa Leoni) convince paleontologist Alan Grant (Sam Neill) and his protégé (Allesandro Nivola) to act as tour guides on a flyover trip to Isla Sorna, the ill-fated "Site B" where all hell broke loose in The Lost World: Jurassic Park. In truth, they're on a search-and-rescue mission to find their missing son (Trevor Morgan), and their plane crash is just the first of several enjoyably suspenseful sequences. Director Joe Johnston (October Sky) embraces the formulaic plot as a series of atmospheric set pieces, placing new and familiar dinosaurs in misty rainforests, fiery lakes, and mysterious valleys, turning JP3 into a thrill ride with impressive highlights (including a T. rex versus spinosaurus smack-down), adequate doses of wry humor (from the cowriters of Election), and an upbeat ending that's corny but appropriate, proving that the symptoms of sequelitis needn't be fatal. --Jeff Shannon






















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Saturday, February 12, 2011

Gorgo - Widescreen Destruction Edition

Horror Movies Gorgo - Widescreen Destruction Edition







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Gorgo - Widescreen Destruction Edition Overview


A volcanic eruption in the North Atlantic brings to the surface a 65-foot prehistoric monster. Two treasure divers capture the creature and take him to London where he is put on display in a circus. A scientist is thoughtful enough to point out that the sailors' bonanza is only an infant, and that a full-grown specimen would be over 200 feet in height. Sure enough, Gorgo's mama comes thundering ashore, reclaims her offspring and heads back to sea — but not before she trashes a generous portion of London. The special effects in GORGO, provided by Tom Howard — two-time Academy Award winner, are truly admirable. The monster is quite ferocious — except when he wiggles his ears. Released by MGM in 1961. DVD Bonus: Digitally Remastered, Behind the Scenes Short| Photo Gallery, Scene Selection, Animated Menus, Original Theatrical Trailer|,Widescreen/Letterboxed| DVD-9| Dolby Digital 5.1
























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Friday, February 4, 2011

The Omen (Widescreen Edition)

Horror Movies The Omen (Widescreen Edition)







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The Omen (Widescreen Edition) Overview


In this chilling remake of The Omen ? that is even more terrifying than the original ? man's darkest fears are manifested as an unspeakable terror is unleashed on the world! U.S. diplomat Robert Thorn (Liev Schreiber) substitutes an orphan for his own stillborn baby in order to spare his unknowing wife (Julia Stiles). But after a series of grotesque murders and dire warnings, the Thorns come to the horrifying realization that their child is the son of Satan!



The Omen (Widescreen Edition) Specifications


If you can overlook its glaring redundancy, The Omen is a faithful and well-crafted remake that does adequate justice to Richard Donner's popular 1976 original. It's a completely unnecessary film, given that David Seltzer's original screenplay wasn't even rewritten (as would normally happen with a Hollywood remake), but when viewed with fresh eyes, or by anyone who's unfamiliar with the original, it retains most of the serious, intelligently plotted chills that made Donner's horror thriller a box-office sensation. It skews to a younger audience (of course), with Liev Schreiber and Julia Stiles in the roles originated by Gregory Peck and Lee Remick. As newly-promoted U.S. Ambassador to England Robert Thorn and his troubled wife Katherine, they grow increasingly suspicious that their young son Damien (Seamus Davey-Fitzpatrick) may be the devil incarnate. An anxious Roman priest (Pete Postelthwaite) and a freelance photographer (David Thewlis, in the role memorably originated by David Warner) are equally terrified of this Satanic scenario, and Damien's new and eerily protective nanny (played to perfection by Mia Farrow) adds further evidence of Damien's malevolence, as Vatican prophesies of Armageddon are rapidly fulfilled. Director John Moore (who also remade The Flight of the Phoenix) offers a few minor improvements in suspense and gruesomeness (including a more graphically inventive death for a prominent character), but he's also hampered by the weaker presence of Davey-Fitzpatrick, who's not nearly as creepy as the original film's Damien. Otherwise, this copy of The Omen justifies its existence as a worthwhile diversion for stormy-night viewing.--Jeff Shannon






















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Tuesday, January 11, 2011

Ghost Ship (Widescreen Edition)

Horror Movies Ghost Ship (Widescreen Edition)







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Ghost Ship (Widescreen Edition) Overview


In a remote region of the Bering Sea, a boat salvage crew discovers the eerie remains of a grand passenger liner thought lost for more than 40 years. Once onboard, the crew must confront the ship's horrific past and face the ultimate fight for their lives.

DVD Features:
Additional Scenes
DVD ROM Features
Documentaries:Three shivery how-they-did-it pieces: A Closer Look at the Gore; Designing the Ghost Ship; Visual Effects
Music Video:"Not Falling" - Mudvayne
Theatrical Trailer





Ghost Ship (Widescreen Edition) Specifications


While it offers nothing new for horror buffs, Ghost Ship relocates its haunted house clichés to an eerily effective setting. The Italian luxury liner Antonia Graza, its fate a mystery for 40 years, has suddenly reappeared in the chilly Bering Sea. Lured by a seemingly harmless proposition, Gabriel Byrne and Julianna Margulies lead a salvage crew (including Ron Eldard, Margulies's offscreen partner and fellow ER alumnus) to claim the wreck. But a grisly prologue--in which we witness the horrific fate of the ship's crew and passengers--makes it clear that bad things are going to happen. And they do... with the predictability of tomorrow's sunrise. The supporting cast is routinely dispatched, but their fates are determined amid outstanding art direction, slick cinematography, and judicious digital trickery, all primed to maximize the doom-laden atmosphere. Director Steve Beck (who remade 13 Ghosts a year earlier) won't win any awards for ingenuity, but Ghost Ship offers a few good chills for a dark and stormy night. --Jeff Shannon






















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Monday, January 10, 2011

E.T. - The Extra-Terrestrial (2-Disc Widescreen Limited Collector's Edition)

Horror Movies E.T. - The Extra-Terrestrial (2-Disc Widescreen Limited Collector's Edition)







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E.T. - The Extra-Terrestrial (2-Disc Widescreen Limited Collector's Edition) Feature


  • BARRYMORE/THOMAS/WALLACE/COYOT




E.T. - The Extra-Terrestrial (2-Disc Widescreen Limited Collector's Edition) Overview


Steven Spielberg's 1982 hit about a stranded alien and his loving relationship with a fatherless boy (Henry Thomas) struck a chord with audiences everywhere, and it furthered Spielberg's reputation as a director of equally strong commercial sensibilities and classical leanings. Henry Thomas gives a strong, emotional performance as E.T.'s young friend, Robert MacNaughton and Drew Barrymore make a solid impression as his siblings, and Dee Wallace is lively as the kids' mother. The special effects almost look a bit quaint now with all the computer advancements that have occurred since, but they also have more heart behind them than a lot of what we see today. --Tom Keogh
























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Thursday, August 12, 2010

Wolf Creek (Unrated Widescreen Edition)

Horror Movies Wolf Creek (Unrated Widescreen Edition)







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Wolf Creek (Unrated Widescreen Edition) Overview


Welcome to Wolf Creek, where the suspense of The Blair Witch Project meets the horror of The Texas Chainsaw Massacre. Inspired by Australia’s "Backpacker Killer" who murdered seven backpackers in the ‘90s, Wolf Creek won wide acclaim from critics, filmmakers and audience members alike at the Sundance Film Festival. Three unsuspecting hikers take off for a drive across Australia. When the trio returns from a four-hour hike to Wolf Creek National Park, they find their car is dead. Help comes in the form of big, back-slapping bushman Mick (John Jarratt). Since Mick appears to be more Crocodile Dundee than Freddy Krueger, the trio trusts him…which proves to be a grave mistake. Quentin Tarantino said, "Jarratt delivers a performance that’s destined to go down as one of the greatest film heavies of the last 25 years. "Not since the original Texas Chainsaw Massacre has terror felt so real." Ken Fox, TV Guide



Wolf Creek (Unrated Widescreen Edition) Specifications


Wolf Creek, written and directed by Greg McClean, is the Blair Witch Project of the Australian outback. Capitalizing on the human fear of becoming lost in the wilderness, in this case a desert crater called Wolf Creek National Park, this graphic horror film exploits the handheld camera to capture the grotesque actions of Mick Taylor (John Janatt), a sadistic serial killer. When a hip twenty-something guy, Ben Mitchell (Nathan Phillips), and two hippie-ish girls, Cassandra (Liz Hunter) and Kristy (Kestie Morassi), take a road trip and their car breaks down, they have no choice but to accept help from Mick, an eccentric rural Aussie, who, like a spider, tows them into his nightmarish lair. Mick hunts kangaroos and hates tourists, translating his fetish for knives, shotguns, and other torture devices into a need to kill humans as if they're vermin infesting his majestic landscape. Ample blood and gore leave the viewer feeling nearly as sick as the girls who are forced to watch each other die. Like Hannibal Lecter in The Silence of the Lambs, Mick Taylor is a savvy, calculating killer, despicable but psychologically fascinating. --Trinie Dalton



Horror Movies Customer Reviews


Horror Movies Customer ReviewsWOLF CREEK

**** ½ out of 5

Release Date, 25 December 2005

Running Time-104-minutes

R-Rating

Writer/Director- Greg McLean

-Starring Cassandra Magrath, Keste Morassi, Nathan Phillips, John Jarratt as Mick Taylor

Wolf Creek has received mostly a degree of transition from horror fans, but the biggest complaint is Wolf Creek is too slow, and this kind of annoying me. Too many people complain that horror films are nowmore violence and blood and not enough set-up of the characters and that is where Wolf Creek runs from what the genre has become. Writer / director Greg McLean could have taken the easy way out and loaded the movie with violence and blood, rather than character development and the victims had no face in a movie without a face.

But instead of being filled with a number of bodies there are only three main characters and half of the film focuses on them and not really until the final40 minutes is when the action kicks in. It just bothers me that people complain about the gender is not here, yet people still feel the need to complain. I thought the first half of Wolf Creek has been excellent in creating the characters and know them and this is what elevates the 2nd half. In fact if anything I would say that the problems were more stimulation in the 2nd half rather than the first.

The screenplay by Greg McLean was solid enough, the main characters are welldeveloped and very likeable. They are as real people and that is what helps maintain strong Wolf Creek despite the lack of action. As I said McLean could have easily taken the easy way out and created a string of characters and thrown them down so creepy. But instead we have only three characters and develop, rather than being killed one by one. The bad Mick Taylor, played by John Jarratt was an excellent villain. The problem with films like Wolf Creekthe bad guys are often too nice and does not create a problem.

Mick Taylor is actually quite funny and entertaining but also really creepy and scary. And when being funny is really creepy. I suppose the best way to describe it is a bit 'like the characters of Tobe Hooper The Texas Chainsaw Massacre. Like Taylor, were funny in a really creepy. Sometimes people who are mad are really funny in the things they say and do. Not that I laugh at peoplewith mental illness, but can be fun. And Mick Taylor is fun, but there is something left in the defect and that often leads to films like Wolf Creek down is avoided.

Wolf Creek was the first film by Greg McLean and runs it like a pro, the pace of the movie was slow initially, but not in a bad way. And 'slow pace, but never boring, and time spent with the characters add much to the movie where the action kicks in McLean takes his timeGetting to the action when he could have taken the easy way out and did a splatter flick. While the characters are more developed that I found, but some of the most beautiful and feel like real people and McLean is able to create a sense of impending danger even when it is actually happening.

The second half is when the action kicks and there was a lot of hype about how scary it was, which is a sort of true. Wolf Creek was inspired by a true story and you can also see70s exploitation films and the influence and maybe I've just seen too many, but for me as I was not twisted like the one that was made out to be, but again when we have seen enough of these films becomes increasingly difficult to shock the viewer. But with that said scenes in the second half to make a fist heavy package, which has more to do with the viewer invested in the characters and when these terrible things happen to them again, which may not be as shocking, but works on a twisted levelbecause of the amount of time we spent with the characters.

McLean provides some solid suspense and tension and is able to craft some really dark scenes and the first major character to die was one of the greatest scenes of this kind has ever seen. As excellent as the scene was the strength lies more with the fact that we got to know the character. Despite all the problems I have found more pace in the second half than the first half. There were some moments in the second half which slightlydrawn, but very little. McLean manages to keep things running smoothly.

The acting is solid and the characters well, which I mentioned earlier. Nathan Phillips is solid as Ben and Cassandra Magrath as Liz and Kristy Keste Morassi as they were both sympathetic and understanding. But the real star was John Jarratt as Mick Taylor offers one of the greatest horror shows and maybe the best of the decade. As I said before the problem with a lot of these movies is the badis often too nice and while Jarratt is funny, sometimes creepy and yet again as I said before, even when he's still funny and creepy. Mick Taylor is cruel and vile and Jarratt plays the role perfectly.

The biggest complaint about Wolf Creek was the first time was too slow, I simply do not understand. Unlike many films of this type or, in general, the horror film Wolf Creek takes the time and defines the characters and this is what makes the 2nd time so powerful. Wolf Creekis just one of the best horror of the decade.



Horror Movies Customer ReviewsHorrific - iprazhm - usa
Live long enough to know that there are real monsters around us, I found Wolf Creek is a terribly disturbing but effective realistic portrait of a monster like that. I found myself in tears at the utter helplessness of these women. I felt their terror. It brought back memories of real cases, real victims who suffered unimaginable physical and mental torture by sadistic psychopaths inhumane. These things, and worse have and will happen in real life. Someone in a violent, deadlyhostage situation may be in shock, with scattered thought processes, and out of logic and can not always do what the observers believe that the only wise and obvious. Perhaps this is why fewer victims of flight, than they do. Will not soon forget this film.




Horror Movies Customer ReviewsForget the outback, visit the city instead! - Sebastien Lessard - Richmond, BC Canada
Wolf Creek is a welcome addition to the modern horror film. This film is a throwback to 1970, horror movies. Will shiver, feel uncomfortable and you'll be left tighness in your gut long after viewing.

Beautiful capture isolation Outback. particularly good performance by John Jarratt who will be remembered as one of the most terrifying villains in recent history.

There is a making of the documentary record that is informative and entertaining. worthlook.

This film is not for everyone but if you enjoyed the original Texas Chainsaw Massacre and more recently Hostel. I recommend adding this to your collection.

The Texas Chainsaw Massacre (2-Disc Ultimate Edition)
Hostel (Director's Cut)




Horror Movies Customer ReviewsNothing of merit here at all - Tim Phillips -
I will never forget it - this film came out in the Atlanta area on Christmas Day. It seemed intriguing, and knowing nothing of the plot, I began to see what all the fuss was about.

I left completely sickened and disgusted that ANY film company would put on this Christmas. The three dummies are captured by the villain characters are such cardboard thin that it's hard to care when the screaming begins ... but because it is loosely based on real events, it turns outyou are interested ... It is why I left before the end. I wanted to give this zero stars but Amazon does not allow this.

SPOILER ALERT: the last straw for me was Mick little maneuver he calls "the head on a stick." This involved inserting a HUGE machete in the back of the girl and deep cut in the bottom left to right ... apparently she did not kill her immediately, but paralyzed. And yes, this is complete with all necessary breaking / tearing sound you might expect. Thatwas for me - fighting back nausea, I ran to the door and left, never looking back.

I never finished the movie, and I still remember the scene above. This film is a holiday - or a movie I made about the holiday in the United States? Good God, give me "Earnest Saves Christmas" any day over this rubbish!

In truth, run, do not walk around the garbage can with this ... not worth the time.















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