Black Rainbow

Black Rainbow Review

Black Rainbow To say that one of his best films of the director does not sound like a great compliment when a man whose resume includes delayed from Outer Space and not one but two Clive Owen stinker, even if true, speaks. reputation of Mike Hodges' these days is based exclusively on a gangster film made 35 years ago, and the fact that his later efforts, both in clinical work (The Terminal Man), the errors, in order to meet full (Pulp), absolutely terrible (A prayer for theDie), or saw him fired early in production (Damien: Omen II) has done little to discourage the labeling him as a one-hit wonder. True to his luck, WAS released this nice little supernatural thriller almost straight to cable in the United States and rising in a scandal distribution in the UK every building has tried to get copies in video stores (selling it as a virtual catch soft porn, there Believe it or not!) before the film opened play at all.

It's that old chestnut, medium,sees too much - in this case more messages from the dead are not dead yet - and makes his life in danger, but is rarely done well. Starting as a sort of Emily Gantry as Eugene O'Neill (with Jason Robards in his other drunken paterfamilias) wrote, Rosanna Arquette has his best role, and is certainly the challenge. The scenes presented item is a real goose bumps, there are no clean humanizing touches (the Hitman also have a family andcan not be a decent place plane) and the dialogue Hodges' is surprisingly good. But what really is the decay characterization: they are all credible people injured cling to a slim hope they can find, whether religion or to prevent the bottle, take a good look at themselves - as painful a character says: "Perhaps if we did not like the other side there would be paying more attention to troubled here and now.

Black Rainbow Overview

Martha Travis (Rosanna Arquette) is a medium who makes contact with spirits "on the other side" and connects them with their loved ones still alive, in public performances. Trouble begins when she gives a message to Mary Kuron (Linda Pierce) from her husband, Tom (Olek Krupa). But Tom isn't dead... yet. And Martha not only knows he will die, she also knows who killed him. And the murderer knows she knows....

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