The Rape of the Vampire

The Rape of the Vampire Review

An original, subversive and daring improvised film that speaks better than any film Rollin about his peculiar conception of cinema: a mixture of gothic horror imagery, surrealism political, romantic and sexy dark comedy pulp aesthetic, and supported in experiments and camera performance. The film is a collage of images Estructura thought to his favorite painter, Clovis Trouille solution, which allows him to mix the majority of speakers who havehis ambiguous relationship with imagination and talent romantic Gothic tradition with cutting-edge concepts and experiments. Ie: the poetry of Tristan Corbiere Oniric, the sexy Shocker surrealist Georges Bataille, the movie provocative and anti-clerical of Luis Bunuel, the Bizarre and pulp melodrama style of Gaston Leroux and the poetic realism of Jacques Prevert.The image is shown as two-part film, the working conditions of the boy before bending or keyholevampire story surreal. An amoral, playful and non-narrative image Vampire, half romantic, half-conceptual and experimental at all.

The Rape of the Vampire Overview

Cult director Jean Rollin's first feature mixes existentialism and vampirism with the added ingredient of chaos. Originally made as a short, it was expanded to feature length with the dead cast inexplicably returning to life half-way through (having been killed off at the end of the original). That said, "Le Viol du Vampire" is a masterpiece of the bizarre, mixing blood, a naked woman in a convertible, coffins and some fencing, semi-naked nymphs in a fragmented melee.

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